Final Cut Pro Mac Torrent Download 10.3 Updated

Final Cut Pro Mac Torrent Download 10.3

Video editing software by Apple

Final Cut Pro

Screenshot of Final Cut Pro 10.5 running on macOS Catalina 10.15.seven
Developer(s)	Apple Inc.
Stable release	ten.half-dozen.ane / November 15, 2021; 4 months ago  (2021-11-15)
Written in	Cocoa
Operating system	macOS ten.15.vi or later
Type	Video editing software
License	Commercial proprietary software
Website	www.apple tree.com/finalcutpro/

Final Cut Pro, previously Last Cut Pro X, is professional not-linear video editing software published past Apple Inc. equally role of their Pro Apps family of software programs. It was released on June 21, 2011 for auction in the Mac App Store. It is the successor to Final Cutting Pro. ^{[i] [2]} It was renamed "Final Cut Pro" in November 2020, coinciding with the release of macOS Big Sur.

Features [ edit ]

Terminal Cutting Pro X shares some of both its code and interface design philosophy with Apple's consumer video editing software, iMovie. ^{[3] [iv]}

Interface [ edit ]

• Result browser: Replacing "bins" in other NLEs, the result browser is where the original media is establish and can be searched and sorted by diverse forms of metadata. Keyword ranges, favorite and rejected ranges, and smart collections allow for faster sorting of a large number of clips.
• Magnetic timeline: Inventing an alternative to rail-based timelines plant in traditional NLEs, Final Cut's magnetic timeline uses clip connections to go on continued clips and secondary storylines in sync with clips located on the primary storyline. By default, clips move around each other "magnetically", filling in whatsoever gaps and avoiding clip collisions by automatically bumping clips out of the way vertically. The magnetic connections are also user-definable.
• Roles: In lodge to dissever and organize different audio types on the magnetic timeline, editors can designate what "function' each clip plays. Introduced in version x.0.1, Roles tin can exist assigned to clips as an alternate way of creating organizational functionality. A Office (or Sub-Role) gets assigned to clips to place what it is (for instance Video, Titles, Dialogue, Furnishings, Music). Upon Sharing a Master File of the Projection the diverse Roles can be carve up out every bit stems or in a multitrack file for broadcast delivery or other distribution needs.
• Content auto-analysis: Plant in the import window and outcome browser is the option to analyze media for shot type and facial recognition or gear up potential problems like audio loudness, audio hum, channel grouping, background noise, colour residual, pulldown removal, and stabilization. This process generates metadata that can automatically be organized as Keywords and can be grouped into Smart Collections.
• Synchronized clips: Video and sound clips recorded on split devices tin be synched automatically by timecode, audio waveforms, and markers together equally a single clip.
• Compound clips: Nested sequences from the original Concluding Cut Pro have been replaced by chemical compound clips. A selection of video and audio clips can be nested into a single compound clip. This compound clip can exist opened in its own timeline or broken autonomously for further editing. Information technology can also be reused in different projects.
• Closed captions: Introduced in version 10.iv.i, closed captions can exist created right in the timeline or imported into the timeline from an external file.
• Multicam editing: Introduced in version ten.0.3, multiple photographic camera angles can be synchronized automatically and combined into a multicam clip. Once in the timeline, a multicam clip tin be cut upwards into different angles past using the angle viewer. A multicam clip can be opened in the bending editor where new angles can exist added, synched, relabeled, and rearranged at any time.
• Auditions: Clips can be grouped together in the upshot browser or on the timeline as auditions. Once in the timeline, an audition allows the user to choose between different clips in their edit while the timeline ripples automatically in order to preview ii or more dissimilar versions of a cut.
• 3D titles: Introduced in version 10.two.0, text can be extruded, textured, lit, and shaded with materials and environments in 3D. This allows users to create titles similar those constitute in Hollywood movies directly in the application. ^[5]
• 360 degree video editing: Introduced in version 10.iv. import and edit 360° equirectangular video in a wide range of formats and frame sizes.
• Advanced color grading
• Loftier dynamic range

Technical features [ edit ]

While inheriting the name from its predecessor, Final Cut Pro, Final Cut Pro X is a completely re-written awarding. Equally a native 64-fleck awarding information technology takes advantage of more than 4GB of RAM. Information technology utilizes all CPU cores with Grand Primal Dispatch. Open CL support allows GPU accelerated processing for improved performance for playback, rendering, and transcoding. It is resolution-independent, supporting images sizes from SD to across 4K. Final Cut Pro Ten supports playback of many native camera and audio formats. ^[vi] It can also transcode video clips to the Apple ProRes codec for improved performance. ^{[vii] [8]} Many tasks are performed in the groundwork such every bit car-saving, rendering, transcoding, and media management, allowing the user an uninterrupted experience. ^[9] Final Cut Pro Ten was developed for macOS simply. ^{[10] [11]}

Workflow integration [ edit ]

Movement five

Titles, motility graphics, furnishings generated in Motion 5 can be published to Final Cutting Pro X. Inside the Final Cut Pro X, editors can modify the parameters and contents of the effects, as long every bit the permission for such modifications is turned on in the Motion five project file.

Adobe Photoshop

In Final Cut Pro X 10.0.3 and later on, the editor can import Photoshop projects onto the storyline similar to a nevertheless epitome. A Photoshop project with layers is treated similar to a compound clip and the layers are preserved subsequently being imported into the Final Cut Pro X. Individual layers of the Photoshop project tin be toggled on or off inside the Final Cut Pro Ten by double-clicking the imported project and going into the compound clip editing console. Other adjustments to the Photoshop project should be performed on the imported Photoshop project using Adobe Photoshop program with updates happening in real-time inside Final Cut Pro X.

Development [ edit ]

Final Cut Pro X was made available for purchase and download on the Mac App Store on June 21, 2011 along with new versions of Motion and Compressor. ^{[2] [12]} Since so the application has been updated a few times each year with new features, issues fixes, native codec back up, and overall improvements with stability. ^[13]

Many features establish in Final Cut Pro seven that were missing in Terminal Cut Pro X on its initial release ^[14] have subsequently been added such as: XML import and consign, server support, multicam editing, chapter markers, and broadcast monitor support. ^[fifteen]

Because Final Cut Pro X abandoned a track-based timeline in favor of the Magnetic Timeline initially in that location were limitations in exporting audio stems for Broadcast and Distribution needs. On September 9, 2011 version 10.0.1 was released with a new solution to this trouble, the introduction of Video and Audio Roles. Clips are assigned Roles and upon Sharing a Projection the user could export Multitrack Quicktime Files or Stems. ^{[16] [17]} AAF consign is washed with a third-party app X2Pro which uses FCPXML. Some other method is to use Logic Pro X to brand an AAF.

With version 10.0.6 released on Oct 23, 2012, Apple introduced native Redcode Raw back up too as MXF support through a third party plugin. MXF was eventually natively supported by version 10.i.4. ^[18]

Prior to the introduction of version ten.1.0 Project and Effect Libraries were divide folders. Events contained all the original media and Project Libraries independent the actual edited Projects on timelines. The Projection and Result Libraries were stored in a user'due south Moving-picture show folder or on the root level of an external hard bulldoze. These Libraries automatically opened in Terminal Cut Pro 10 depending on which difficult drives were mounted. That all changed on December nineteen, 2013, when Projection and Effect Libraries were merged into a new Library model. Libraries independent Events which in plow contained Projects. And unlike before Libraries could exist opened and closed by the user. Media could be stored internally in the Library or kept outside the Library. On June 27, 2014 media management was further refined with the release of version ten.one.2. ^[19]

During the NAB Show 2015 Apple tree released version 10.two.0. 3D Titles were introduced directly in Concluding Cutting Pro X as well as its companion application, Movement. The Color Lath merged with a new Color Correction effect to allow for more flexibility in stacking layers of furnishings. The ability to utilise a Keying or Shape Mask directly to any consequence was likewise introduced. ^[20]

Version 10.3 introduced an entirely new interface and an improved magnetic timeline. Support for iXML metadata when importing audio. Audio editing vastly improved. Sound roles can be shown in lanes. REC 2020 color import, edit, and export. MXF support.

Version 10.4.0 introduced color wheels and color curves, 360º video editing and High Dynamic Range (HDR) video,

During the NAB Show 2018 Apple tree released version 10.4.ane. Airtight Captioning was introduced as well every bit support for ProRes RAW. Version 10.4.one requires Mac Os version x.13.2 Loftier Sierra.

Release history [ edit ]

Version	Date	Significant changes
ten.0.0 [two]	June 21, 2011	All new application with redesigned GUI 64-bit support An advanced searchable database called the outcome browser that uses keyword ranges and smart collections for clip sorting New magnetic timeline that abandoned traditional rails-based NLE paradigms Live skimmer Filmstrip thumbnail view Avant-garde metadata views in clip info inspector New color-board interface for color correction ColorSync with the AV Foundation for accurate color monitoring [21] Requires Mac Os X Snow Leopard 10.half-dozen or later
10.0.1	September ix, 2011	Audio roles for audio and video stalk exports XML import and export Xsan support Custom kickoff timecode for projects Performance enhancements and problems fixes
x.0.2	November 16, 2011	Bug fixes
10.0.three [22]	January 31, 2012	Multicam clips, automatic sync, mixed formats and frame rates, up to 64 angles, and new angle editor interface Media relinking Layered Photoshop documents support Beta broadcast monitor support XML 1.1 Functioning enhancements and bug gixes
10.0.iv	April 10, 2012	Performance enhancements
x.0.5	June 11, 2012	Bug fixes
10.0.6	October 23, 2012	Multichannel audio editing in the timeline Unified import window. export selected ranges Native Redcode raw support MFX support through third-party plugin Dual viewers with scopes Chapter markers for video file, DVD, and Blu-ray disc exports Range selections preserved with clips in the event browser Paste attributes choice for choosing specific effects to copy betwixt clips Driblet shadow effect Compound clips saved in the timeline salve in the upshot browser to be reused in other projects XML 1.2 Blade all command Functioning enhancements
10.0.7	December six, 2012	Bug fixes
10.0.8	March 26, 2013	Sony XAVC codec support Arri Alexa Log C to Rec 709 LUT Bug fixes and performance enhancements
x.0.nine	July 30, 2013	Bug fixes
10.1.0	December 19, 2013	Result and project libraries now merged into new library model Support for dual GPUs in Mac Pro New 4K title, transition, and generators content External or internal media management options for libraries Project snapshots for versioning; custom projection frame sizes Native support for .MTS and .MT2S AVCHD files Used media indicators API for third parties to create custom share options 4K video sharing to YouTube XML 1.iii Performance enhancements Requires Bone X Mavericks 10.9 or later
10.ane.ane	Jan xvi, 2014	Bug fixes and performance enhancements
10.1.2	June 27, 2014	Improved media direction for libraries Used media ranges utilise to chemical compound, multicam, and synched clips Apply LUT corrections to view log footage from Arri, Blackmagic, Catechism and Sony Cameras in Rec. 709 colorspace XML library consign Automatically create keywords on import from Finder tags 4K video sharing to Vimeo XML 1.four
10.1.3	Baronial 19, 2014	Issues fixes
10.i.4	November 25, 2014	Native back up for MXF Panasonic AVC-LongG codec back up Bug fixes
10.2.0 [5]	April 13, 2015	3D Titles Simultaneously display up to four video scopes Keying and shape masks tin be practical to whatever effect Color board now merged with new color correction effect Back up for Panasonic AVC-Ultra, Sony XAVC South, JVC Long GOP codecs GPU-accelerated RED raw processing Smart collections at the library level XML ane.5 Requires OS X Yosemite ten.ten.ii or later on
10.2.1	May xiv, 2015	Bug fixes
x.2.ii	September 4, 2015	Sony XAVC-L, Canon XF-AVC viii-bit, and Panasonic AVC-Intra 4:4:four codec support Consign interlaced H.264 Library fill-in on nugget management systems Problems fixes
10.2.3	Feb 4, 2016	Customizable default consequence 4K export preset for Apple tree devices Performance enhancement for SANs Support for XF-AVC codecs Sharing to multiple YouTube accounts Bug fixes Will non run on macOS Loftier Sierra 10.13 or newer.
10.3	October 27, 2016	Interface improvements Magnetic timeline two Wide color gamut Support for the touch bar on MacBook Pro More video formats XML 1.6 Requires Os Ten El Capitan 10.11.iv or later
10.3.four	March 25, 2017	Problems Fixes Last supported version for OS X El Capitan
10.4	December 14, 2017	Import and Edit 360°/VR equirectangular video Colour correction redesign Back up for 8K projects and videos HEVC support HDR back up XML ane.7 Requires macOS Sierra ten.12.4 or later
10.4.i	April 15, 2018	Support for embedded closed captioning Support for ProRes RAW XML 1.8 Bug fixes Requires macOS High Sierra 10.13.ii or later
10.4.2	Apr 30, 2018	Bug fixes
10.4.iii	June 21, 2018	Support for Pro-Res RAW files Bug fixes
10.4.four	November 15, 2018	Workflow extensions Batch sharing Video noise reduction Timecode window Comparison viewer Tiny planet Captions, timeline drag, comic-ization, new 360° transitions Improvements to 360° video, audio, closed captions, color correction, effects, multicam, roles, timeline, titles
10.four.five	Jan 17, 2019	Bug fixes
x.4.vi	March 21, 2019	Detects and offers the option to catechumen media files incompatible with futurity macOS versions – those later Mojave 10.fourteen [23] Problems fixes
x.4.seven	Oct 7, 2019	New Metal-based processing engine for faster rendering, compositing and exporting. Ameliorate multiple GPU compatibility New color tools View HDR content tone-mapped to expect right on SDR displays if running macOS Catalina Bug fixes Requires macOS Mojave 10.fourteen.6 or later on
10.iv.8	December 10, 2019	Bug fixes
ten.iv.9 [24]	Baronial 25, 2020	Enhancements to proxy workflows Automated tools for social media cropping Editorial workflow improvements XML 1.9
ten.4.ten	September 24, 2020	Issues fixes
10.5	Nov 12, 2020	Improved performance and efficiency on Mac computers with Apple silicon Option to create a re-create of your library and automatically transcode media to ProRes Proxy or H.264 at various resolutions Requires macOS Catalina ten.15.vi or later
x.5.1	December 20, 2020	Bug fixes Option to share video to Youtube and Facebook
10.5.2	March 4, 2021	Adds support for a new Universal RED plugin enabling native RED raw decoding and playback on both Apple tree silicon and Intel-based Mac computers Improves stability when playing back H.264 video files with decadent data Bug fixes
10.five.3	June 17, 2021	Create and edit custom column views with the new column editor Search for media in the browser using expanded criteria including clip names, markers, and notes Sort clips in the browser co-ordinate to type, including proxy, optimized, and missing media Restores support for copying clips from the Finder and pasting into the timeline Bug fixes
10.5.4	July 8, 2021	Improves stability when exporting with certain macOS Language & Region preferences Improves stability when playing H.264 or HEVC media Concluding supported version for macOS Catalina
10.6	October 18, 2021	Elevate effects, titles, or generators into the viewer to automatically observe, track, and lucifer the movement of faces or objects using machine learning. Manually add together a tracker from the inspector, conform its mask shape, and cull betwixt dissimilar tracking assay types. Cinematic Way Edit videos recorded with iPhone 13 in Cinematic fashion (requires macOS Monterey). XML ane.10 inside a new .fcpxmld bundle format Requires macOS Big Sur 11.v.one or later
10.6.1	November fifteen, 2021	Problems fixes Improves reliability during playback of AC3 audio. Improves stability when removing audio effects in the inspector. Improves stability when opening projects from the browser. Improves stability when previewing effects in the Effects browser. Improves stability when dragging prune ranges to Keyword Collections.

For a complete overview of the changes made, run across Apple's release notes.

Reception [ edit ]

Last Cutting Pro X was announced in Apr 2011 simultaneously at the Los Angeles Terminal Cut Pro Users Group held at Bally's Las Vegas and at the NAB Show in the Las Vegas Convention Center and released in June 2011. ^{[12] [25]}

The reaction was extremely mixed, with veteran film editor Walter Murch initially proverb, "I can't use this," citing a lack of features compared to Final Cutting Pro 7. In a 2015 interview, Murch was much less disquisitional of the tool and suggested that he was interested in using it. ^[26]

Missing features and issues noted as essential to professional video production in FCPX included lack of edit decision list (EDL), XML and Open Media Framework Interchange (OMF) support, inability to import projects created in previous releases of Concluding Cutting Pro, a lack of a multicam editing tool, third-party I/O hardware output, and videotape capture existence limited to Firewire video devices only, including capture with third-party hardware, ^[14] were addressed inside the starting time 6 months of the product's life. EDL consign, a production of the early on days of videotape editing, is now supported through 3rd-party software ^[27] and creating an AAF (a newer version of OMF) ^[28] for passing projects to Pro Tools through X2Pro.

Since then, in some people's opinions, some of Final Cut Pro X'southward initial shortcomings have been fixed. ^{[29] [thirty]}

Apple announced in April 2018 that there are more than than 2.five Meg users of Final Cut Pro 10. ^[31]

Ecosystem [ edit ]

Since its release, FCP X has supported the construction of effect, transition, and title plugins by publishing custom-built effects from Apple Motility. This has led to a 3rd-political party ecosystem of developers building furnishings from simple color corrections to complex templates. ^[32] 3rd-party plug-ins can likewise be created through Apple's FxPlug SDK. ^[33] Equally Projects, Events, and Libraries are stored in a database format; this has allowed many third-political party developers to build workflow tools by utilizing FCPXML. ^[34]

Characteristic films and television shows edited with Last Cut Pro 10 [ edit ]

Film [ edit ]

• Young Detective Dee: Rise of the Sea Dragon (2013) ^[35]
• Loreak (2014) ^[36]
• Focus (2015) ^{[37] [38]}
• Well Wishes (2015) ^[39]
• What Happened, Miss Simone? (2015) ^[40]
• La isla del viento (2015) ^[41]
• 600 Miles (2015)^{[ commendation needed ]}
• Minimalism: A Documentary About the Of import Things (2015)
• Just Let Go (2015)
• An Autumn Without Berlin (2015)
• The Chosen (2015)
• Amama (2015)
• Saved by Grace (2016) ^[42]
• Whiskey Tango Foxtrot (2016) ^[43]
• Saturday'due south Warrior (2016) ^[44]
• Phonation from the Stone (2016) ^[45]
• El Hombre de las Mil Caras (2016) ^[46]
• Bokeh (2016) ^[47]
• Everything Else (2016) ^[48]
• La Historia de January (2016) ^[49]
• Geostorm (2017)^{[ citation needed ]}
• The Unknown Soldier (2017) ^[50]
• Mankind And Claret (2017) ^[51]
• Daisy Winters (2017) ^[52]
• Handia (2017)
• Escape Room (2017)
• Brothers' Nest (2018)
• La llum d'Elna (2017)
• Dead Envy (2018) ^[53]
• Gabriel (2018) ^[54]
• Off The Tracks (Documentary) (2018) ^[55]
• Dantza (2018)
• Scramble the Seawolves (Documentary) (2018)
• Jezebel (2019) ^[56]
• The Banker (2020) ^[57]
• Faith Based (2020) ^[58]
• Wild Amsterdam (2018) (Documentary) ^[59]
• Fragments of Truth (Documentary) (2018) ^[threescore]
• The Island (2018) ^{[61] [62]}
• Unhinged (2017) ^[63]
• Psychosynthesis (2019) ^[64]
• Shadows on the Road (2018) ^[65]
• Against the Clock (2019) ^[66]
• Chasing Molly (2019) ^[67]
• Follow Me (2020)
• Budapest Heist (2020)
• Monsters of Man (2020) ^[68]
• Claret Blood-red Sky (2021) ^[69]

Television receiver [ edit ]

• BBC Take I Got News For Y'all (2020) ^[70]
• BBC News (2014) ^[71]
• Trailer Park Boys (2012) ^[72]
• Leverage (2012) ^[73]
• George to the Rescue (2013) ^[74]
• The Hong Kong Matter (2013)
• Drag Queens of London (2014)^{[ citation needed ]}
• O.J. Speaks: The Hidden Tapes (2015) ^[75]
• Paramedics: Emergency Response (2015) ^[76]
• Challenger Disaster: Lost Tapes (2016) ^[77]
• Rebellion (2016)
• Sex on the Edge (2016) ^{[ citation needed ]}
• Conquistadores Adventum (2017)
• Diana: In Her Own Words (2017) ^[78]
• Students on the Edge (2018) ^{[ citation needed ]}
• La Peste (2018) ^[79]
• Dogs Of Berlin (2018)
• Apollo: Missions to the Moon (2019)
• Matchday: Inside FC Barcelona (2019) ^[80]
• Salvados (2019) ^[81]
• La Línea: Shadow of Narco (2020) ^[82]
• Q: Into the Tempest (2021) ^[83]

References [ edit ]

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